Title : Fashion designer's $24million party pad that hosted Warhol and Liza Minelli but no one wants to buy
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Fashion designer's $24million party pad that hosted Warhol and Liza Minelli but no one wants to buy
The fashion designer's $24million party pad that no one wants to buy: Manhattan townhouse that hosted the likes of Andy Warhol, Martin Scorsese and Liza Minelli for drug-fueled bashes has been on the market SEVEN years
- Fashion designer Halston's posh party house has sat on the market for seven years
- The home, built for thrill, served just that purpose for Halston's guests in the 1970's
- Stories from Warhol's diaries touches on wild evenings at the exclusive address
- One such evening Warhol wrote an anecdote about about Liza Minelli and Martin Scorsese ringing the bell and asking Halston for every drug he had
- Because of the soft market in the city for regular townhouses, this one has yet to sell despite its historic value
An outstanding New York City party pad for the in-crowd, owned by fashioner designer Halston at the height of his influence and at the pinnacle of disco era debauchery, can't find a buyer.
One would think the historic significance alone would entice a purchaser, considering parties held at the pad at 101 E. 63rd St were graced by the likes of Andy Warhol, Liza Minelli and Martin Scorsese, yet the home has been sitting on the market for seven years.
The parties, as described to the New York Post by some fortunate attendees, were as wild as the 70's free-wheeling sex and drugs scene could be, which were only further fueled by the opening of Studio 54 in 1977.
However, the pad itself was designed almost exclusively with party in mind- making it a less-than-palatable purchase for someone looking for a space that could be used to throw a posh party but still really be something one would call 'home.'
Inside the party pad at 101 E 63 St: Designed by Paul Rudolph with edgy entertainment in mind, was owned by fashion designer Halston whose debaucherous parties of the 70's at the home became the stuff of disco legend
The property boasts two levels, a sunken living room, garage, and a bamboo filled greenhouse
The spacious bedrooms can (and did) fit many a people... at the same time
Halston (top left) along with Andy Warhol and Liza Minelli, who were among the 'regulars' at the drug and sex fueled parties (pictured with choreographer Martha Graham)
Designed by Paul Rudolph, the two-story storied home boasts a bamboo filled greenhouse, double-height ceilings, roof terrace, sunken living room and catwalks with ample perusal of the party below.
Halston acquired the property in 1974.
His niece, Lesley Frowick, described the layout perfectly.
'It was such a party house. It was laid out completely for entertainment. He really preferred to entertain at home,' Frowick told the Post.
Halston was an extremely venerated designer, with the true feather in his cap belonging to his pill box hat design that Jacqueline Kennedy wore to the presidential inauguration.
Kennedy's seal of approval was it for Halston, he was the 'It' of fashion for the modern day woman.
'His simple elegant designs are timeless. He reached back to antiquity for inspiration,' said Frowick. 'He knew how to flatter the female body.'
The bamboo greenhouse offers an extra level of privacy from prying eyes who may want to peek in on the action within
Another night, another party, another bedroom in the house once revered for parties during the drugged out disco era
Bedroom number three is right next to a catwalk where guests can look down at the party or in on the hanky-panky, perhaps
He created ready-to-wear couture for the likes of Anjelica Huston, Gene Tierney, Lauren Bacall, Margaux Hemingway and Elizabeth Taylor.
But, the house parties.
Warhol documented some of the momentous escapades in Halston's home in his diaries.
On one evening in particular, Warhole wrote, that Liza Minnelli and Martin Scorsese rang the doorbell at 101 and asked Halston for 'every drug you've got.'
The illustrious host was of course prepared to have their desires quickly met.
He handed Minnelli 'a bottle of coke, a few sticks of marijuana, a Valium and four quaaludes.'
Between the drugs, and the sex, it was the design of the space that pushed the parties to the literal edge.
'There was no railing on the stairs at the house,' said Frowick.
'And when you got up to the mezzanine, there was a little shelf where people could sit. But there was no railing. It was unsafe. Champagne and no rails. But that was the thrill of it: to be on the edge of an extreme experience.'
'101 was the clubhouse for the Studio 54 crowd,' said Steven Gaines, author of the book 'Simply Halston.'
'It was one of the most reckless, anything-goes moments in history,' said Gaines, whose book details the designers varied pleasure pursuits, which included sex with male prostitutes and watching sex shows that included bestiality.
No railings, no problem for the party scene, but nowadays the house made for celebrations has sat on the market for seven long years
Cat walks fit for models with bedrooms in clear view for guests who may, or may not, decide to jump in
The kitchen is closed off from the home, which is likely where one's staff would be busy prepping foods and who knows what else for guests
A layout that has less of a home and more of a party palace in mind
'Being trash was venerated. The trashier you could be, the more you could get laid, the more drugs you could take,' said Gaines.
There was a safe filled with cocaine that Halston's on-again-off-again partner, artist Victor Hugo, had keys to.
Hugo and Halston helmed man-on-man orgies, while Warhol sat on the sidelines, photographing the scene.
Unfortunately, the party caught up to Halston, and he tested positive for AIDS in 1988, and succumbed to the disease just two-years later.
But back to the property.
Since Halston, It was owned by a couple of party purveyors, with the last of them being a now deceased Gunter Sachs.
His estate originally listed the home in 2011 for $38.5million. The asking price was lowered since then, and is and has been on the market for the past seven years for $24million.
One of the listing brokers, Leslie Hirsch with Engel & Völkers, explained to the Post 'It's like selling a piece of art.
'It has to appeal to the right buyer, someone who can appreciate the architecture and history. It's not your typical Upper East Side townhouse.'
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